Duccio di Buoninsegna, (c1308-11) Christ's entry into Jerusalem, panel from the Maesta, Museo dell'Opera Metropolitana del Duomo, Siena |
Essentially, Duccio's painting reflects an Aristotelian view of space, in which individual objects contain space, but no universal interconnecting (or abstract) dimensional space exists into which objects may be placed.
For more of my thoughts on dimensional space, see http://criticism-and-interpretation.wikispaces.com/Space+-+dimensional
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